The poll results are:
1. Carroll Baker - Baby Doll (16 votes)
2. Deborah Kerr - The King and I (13 votes)
3. Ingrid Bergman - Anastasia (8 votes)
4. Katharine Hepburn - The Rainmaker & Nancy Kelly - The Bad Seed (2 votes)
Showing posts with label Nancy Kelly. Show all posts
Showing posts with label Nancy Kelly. Show all posts
1/19/2010
1/05/2010
Best Actress 1956 - The resolution!
After having watched and reviewed all five nominated performances, it's time to pick the winner!
5. Katharine Hepburn in The Rainmaker
Katharine Hepburn is obviously miscast in this movie about a spinster who experiences a night of romance and passion with a con man. She shows her character’s longings and dreams in a mostly artificial way that never grab’s the viewer’s attention until she finally becomes more believable in the second half as an unexpected object of affection. A mixed performance of an uninteresting character.
Even though she plays the central character in this story of murder and madness, Nancy Kelly remains mostly invisible next to the Supporting performers. Her performance was born on the stage and shows a lot of theatrical over-acting that should have been reduced for the camera but Nancy Kelly also finds enough shining moments as a mother caught in the most extreme situations and helps to make the plot and her character’s actions believable.
Ingrid Bergman’s interpretation of this mysterious woman who might be the real Anastasia or just a swindler mostly focused on her suffering and misery and never gives any complexity to the character or the movie. This way, she doesn’t become as fascinating as the plot suggests and needs but Ingrid Bergman is still able to impress with an intense and haunting performance that shows her undeniable talents very effectively.
The thumb-sucking, naïve and lusty Baby Doll is a character that’s almost impossible to play realistically but Carroll Baker carefully avoids all clichés and makes an unforgettable impression. She rejects all opportunities to overact and adds a lot of depth to the role while burning up the screen in her scenes opposite Eli Wallach. A fascinating and intense performance that constantly surprises with new dimensions.
In a movie that tries to overshadow the actors with various songs and stunning sets, Deborah Kerr realizes all the possibilities of this thin part and gives a lot of shades and edges to her character. Deborah Kerr is dramatic when she needs to be but never overdoes it. She understands the light nature of the movie and fits her acting perfectly to its needs while bringing a lot of humor and dignity to the part that other actresses might have missed.
1/01/2010
Best Actress 1956: Nancy Kelly in "The Bad Seed"
Like Patty McCormack and Eileen Heckart, Nancy Kelly reprised her (Tony-award winning) stage-role in The Bad Seed in this film version and received an Oscar nomination for it.
In the past, I have given praise to actresses who reprised a stage role and adjusted their performances to the need of this different medium. The Bad Seed shows you that something like that was not given.
A lot of times the movie feels like a taped stage play with performances that are made for the last row in the second balcony but not the movie cameras. Especially the scenes with Eileen Heckart are obviously born on the stage.
Anyway, Nancy Kelly plays the part of Christine Penmark, the mother of little Rhoda who turns out to be…quite a girl…
Nancy Kelly establishes Christine as a loving mother and devoted wife but the way she says a shocked “Rhoda” whenever her daughter doesn’t behave the way she wants already shows that she has certain suspicions about her daughter. Later, we see that she asks a teacher of Rhoda’s school about Rhoda’s behavior. Nancy Kelly demonstrates a loving, but also worried mother who only wants the best for her child.
Christine is mostly an observing character. Things just happen to her, she barely takes initiative or becomes active, she mostly reacts. It's a character who wants a normal, quiet life.
Compared to the other characters in this movie, she could be called the straight character. She doesn’t get a juicy part like Patty or Eileen. Even though Christine is the central character who is onscreen almost every moment and who is our guide through the story, the character barely stays in ones mind and is forgotten much sooner than the supporting players. The Bad Seed never feels like Nancy Kelly’s movie.
While one can understand all these feelings, Miss Kelly unfortunately delivers them in a mixture of honest expression and fake overacting. Her performance never becomes real – like the story itself, it is constructed and over-the-top and never becomes as memorable and demanding as the work of the Supporting players.
In the past, I have given praise to actresses who reprised a stage role and adjusted their performances to the need of this different medium. The Bad Seed shows you that something like that was not given.
A lot of times the movie feels like a taped stage play with performances that are made for the last row in the second balcony but not the movie cameras. Especially the scenes with Eileen Heckart are obviously born on the stage.
Anyway, Nancy Kelly plays the part of Christine Penmark, the mother of little Rhoda who turns out to be…quite a girl…
Nancy Kelly establishes Christine as a loving mother and devoted wife but the way she says a shocked “Rhoda” whenever her daughter doesn’t behave the way she wants already shows that she has certain suspicions about her daughter. Later, we see that she asks a teacher of Rhoda’s school about Rhoda’s behavior. Nancy Kelly demonstrates a loving, but also worried mother who only wants the best for her child.
Christine is mostly an observing character. Things just happen to her, she barely takes initiative or becomes active, she mostly reacts. It's a character who wants a normal, quiet life.

Still, Miss Kelly gets some touching moments as a mother whose complete world falls apart. Her guilt in her scenes opposite Eileen Heckart is very touching.
Unfortunately, Miss Kelly depends a lot on theatrical stage-acting. Especially in the scenes with her father, when she finds out the truth about her ancestors are both bad and good. Good because of some very dramatic impressive moments, bad because of some other, overacted and overdone moments that show that Miss Kelly relies too heavily on her stage experience instead of acting for the camera.
During the course of the movie Miss Kelly’s acting becomes sort of winy and she starts to act like a zombie, but it all makes sense because Christine Penmark is caught in the most extreme situation imaginable and there is no rational reaction to it. Nancy Kelly shows all the horror and stress that suddenly entered her life on her face that always shows a mixture of unbelieving shock and fearful tension.
Christine is a mostly confused character. All the terrible news about her and her daughter that she learns mostly evoke wonderment in her. What can she do? Nancy Kelly’s shows us that confused, fearful face for almost the whole movie. We see how she slowly starts to get into a state of hysterics. Her quiet suspicion slowly turns into fear, into affirmation, into disbelief and into a complete breakdown.
While one can understand all these feelings, Miss Kelly unfortunately delivers them in a mixture of honest expression and fake overacting. Her performance never becomes real – like the story itself, it is constructed and over-the-top and never becomes as memorable and demanding as the work of the Supporting players.
An uneven performance with enough good moments to get
Labels:
1956,
Best Actress,
Best Actress 1956,
Nancy Kelly,
Oscar
12/29/2009
Best Actress 1956
The next year will be 1956 and the nominees were
Carroll Baker in Baby Doll
Ingrid Bergman in Anastasia
Katharine Hepburn in The Rainmaker
Nancy Kelly in The Bad Seed
Deborah Kerr in The King and I
Deborah Kerr in The King and I
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