My current Top 5

My current Top 5
Showing posts with label 1939. Show all posts
Showing posts with label 1939. Show all posts

5/07/2015

Best Actress Ranking - Update

Here is a new update. The newly added performance is highlighted in bold. 

1. Vivien Leigh in Gone with the Wind (1939)
2. Gloria Swanson in Sunset Boulevard (1950)
3. Olivia de Havilland in The Heiress (1949)
4. Anne Bancroft in The Graduate (1967)
5. Janet Gaynor in Seventh Heaven (1927-1928)   
6. Glenn Close in Dangerous Liaisons (1988)
7. Edith Evans in The Whisperers (1967)
8. Greta Garbo in Ninotchka (1939)
9. Faye Dunaway in Bonnie and Clyde (1967)
10. Bette Davis in The Little Foxes (1941)

11. Julie Andrews in The Sound of Music (1965)
12. Barbara Stanwyck in Ball of Fire (1941)
13. Shelley Winters in A Place in the Sun (1951)
14. Ingrid Bergman in The Bells of St. Mary’s (1945)
15. Greer Garson in Goodbye, Mr. Chips (1939)
16. Meryl Streep in One True Thing (1998)
17. Katharine Hepburn in Guess who’s coming to dinner (1967)
18. Teresa Wright in The Pride of the Yankees (1942) 
19. Jennifer Jones in Love Letters (1945)
20. Ellen Burstyn in Same Time, Next Year (1978)

21. Loretta Young in Come to the Stable (1949)  
22. Shirley MacLaine in The Turning Point (1977)
23. Irene Dunne in Cimarron (1930-1931)
24. Diana Wynyard in Cavalcade (1932-1933)

3/21/2015

My Best Actress ranking so far...Update!

Here is my first update. New performances will always be highlighted in bold. 

1. Vivien Leigh in Gone with the Wind (1939)
2. Gloria Swanson in Sunset Boulevard (1950)
3. Olivia de Havilland in The Heiress (1949)
4. Anne Bancroft in The Graduate (1967)
5. Janet Gaynor in Seventh Heaven (1927-1928)   
6. Glenn Close in Dangerous Liaisons (1988)
7. Edith Evans in The Whisperers (1967)
8. Greta Garbo in Ninotchka (1939)
9. Faye Dunaway in Bonnie and Clyde (1967)
10. Bette Davis in The Little Foxes (1941)

11. Barbara Stanwyck in Ball of Fire (1941)
12. Shelley Winters in A Place in the Sun (1951)
13. Ingrid Bergman in The Bells of St. Mary’s (1945)
14. Katharine Hepburn in Guess who’s coming to dinner (1967)
15. Teresa Wright in The Pride of the Yankees (1942) 
16. Jennifer Jones in Love Letters (1945)
17. Ellen Burstyn in Same Time, Next Year (1978)
18. Loretta Young in Come to the Stable (1949)  
19. Irene Dunne in Cimarron (1930-1931)
20. Diana Wynyard in Cavalcade (1932-1933)

11/29/2009

YOUR Best Actress of 1939!

Thanks to everyone who voted!

Here are the results of the poll for Best Actress 1939:

1. Vivien Leigh - Gone with the Wind (64 votes)

2. Greer Garson - Goodbye, Mr. Chips (2 votes)

3. Greta Garbo - Ninotchka (1 vote)

4. Bette Davis - Dark Victory & Irene Dunne - Love Affair (0 votes)

11/09/2009

Best Actress 1939 - The resolution!

After having watched and reviewed all five nominated performances, it's time to pick the winner!


5. Irene Dunne in Love Affair

Irene Dunne gives an intelligent performance of a romantic character and her ability to combine drama with comedy turn Terry into a real human being but her chemistry with Charles Boyer is disappointing and the writing often lets her down.




Greer Garson is incredibly charming in the role of Kathy, the woman who gets Mr. Chipping out of his shell and turns him into a popular school master. Unfortunately, the part of Kathy is mostly a plot device and never turns into a three-dimensional character.



Greta Garbo's deadpan line deliveries and her stone-faced expression turn a stern Soviet Comrade into a hilarious character while her chemistry with Melvyn Douglas makes this movie a real classic.




Playing a rich, care-free young girl diagnosed with a fatal brain tumor, Bette Davis delivers one of the most moving performances ever put on the screen. All her talents are used to maximum effect in showing this strong-willed woman's acceptance of her own death.




Carrying the most famous movie of all time, Vivien Leigh delivers the best-known and most iconic performance in motion picture history that gets better with each viewing. She becomes one with Scarlett O'Hara, a character she was born to play and brings to life in the most unforgettable way.



Best Actress 1939: Greta Garbo in "Ninotchka"

Garbo laughs!

A slogan that is as fascinating today as it was 70 years ago.

In Ninotchka, the legendary Greta Garbo plays Nina Yakushova Ivanoff, a no-nonsense Russian Comrade doing Soviet business in Paris. But very soon, this stern and dutiful woman begins to be enchanted by Paris and a charming count played by Melvyn Douglas.

What amazes most when watching Ninotchka is how this could have been Greta Garbo’s first comedy. For years, she was Hollywood's queen of drama and suffering but here she shows that she was just as perfectly cast in a charming, light and romantic comedy.

The most hilarious parts of her performance are the early scenes when Nina is that humorless, grim and stone-faced Comrade, praising the Soviet Union and putting down the West.

Greta Garbo has such a perfect comedy timing that she can get laughs out of almost every line she is saying without even moving one muscle in her face. In fact, that static face is maybe the best thing about her.

She can deliver so many lines in the most amusing way without emphasizing the comedy but rather playing her part as natural as possible and that way making Nina totally funny. That’s the real talent of a great comedian! Garbo’s deadpan delivery of lines like “There are going to be fewer but better Russians” or “Who am I to cost the Russian people seven cows?” or that totally stone-faced expression on her face when she is watching Paris from the Eiffel Tower are just unforgettable.

Garbo also has wonderful chemistry with Melvyn Douglas and their first scenes together, when Nina is trying to resist him and asks him with her deep voice “Must you flirt?” are just as sweet as funny. The way Garbo keeps her strict behavior while kissing Douglas is wonderful and the ways she orders kim to kiss her with a decisive “Again!” is too good!

And who can forget the scene when she first meets Douglas’s butler and says “This man is very old. You shouldn’t make him work. Do you whip him?” and tells the butler “Go to bed, little father.” Garbo’s total seriousness in all these scenes turns them into comedy gold.

And the legendary “Garbo laughs!” scene doesn’t disappoint. It’s not just a laugh, it seems like something that has been inside of Nina for all her life and is finally allowed to get out. With this laugh, Nina becomes a new person.

Unfortunately, the movie now focuses more on the romantic part of the story and loses some of its comedy but romance (and later a little suffering) is nothing new to Garbo and so she also handles these scenes beautifully.

And all her later parts with Melvyn Douglas are just hopelessly romantic and it's a joy to watch these two together! Her process of “blossoming up” is played very naturally and very charmingly and makes Ninotchka one of the all-time classics.

Garbo laughs and so do we!

For this, she gets

11/04/2009

Best Actress 1939: Vivien Leigh in "Gone with the Wind"

What can there be said that hasn’t been said already?

Some performances are great. Some are fantastic. Some are considered to be the best of all time. Some are legendary.

And then there is Vivien Leigh in Gone with the Wind.

Scarlett O’Hara is easily the most iconic female character in motion picture history. And Vivien Leigh gives easily the most iconic female performance in motion picture history.

This is one of the cases when a performance isn’t even a performance anymore but turns into something so real and true that you don’t see an actress but only a character. Vivien Leigh and Scarlett O’Hara become one person.

Vivien Leigh’s acting is so modern that she gets better with each viewing. She is able to demonstrate all the layers of this rich and fascinating character. And of course the fact that she is stunningly beautiful helps, too…

What’s so flawless about this performance is that Vivien Leigh shows Scarlett as an always developing character. She is spoiled and manipulative and she will never lose these “qualities” but she grows during the war and the time after that. With the same determination she used to get every guy she wanted she fights her way back to Tara or runs a business. Scarlett is a force of nature.

But her determination and manipulations could also make her a very unlikable character but Vivien Leigh perfectly captures the Southern belle – she may be a bitch but she is so full of life and charme that we can understand why everyone is so fascinated by her, why everyone is drawn to her. Vivien makes us love and care about Scarlett despite the fact she is a woman who couldn't care less about her husband's death or anything else that doesn't have anything to do with her.

One also has to give Vivien credit for being the main reason why Gone with the Wind is the most famous movie ever. She is in 99% of this 3,5-hours epic, she has to carry this massive production on her shoulders. And boy, does she succeed!

Gone with the Wind is not only a story about love but also a woman fighting to survive, to get to the top. Vivien also captures all these parts of Scarlett.

She is such a dominant person that you can never take your eyes off her. All her scenes at Twelve Oaks, her flirting, her talk with Ashley and that wonderful moment when she is walking up the stairs while everyone else is celebrating the beginning of the war are so wonderful because Vivien is able to combine so many parts of Scarlett: her lying, her true feelings, her façade, her anger, her passion. Vivien inhabits this character like nobody else could have.

Sure, you can watch the old screen tests and see that Paulette Goddard would have been good, too, you can also see that she doesn’t bring that “something special” to the part like Vivien did. If anyone was ever born to play a role, it’s her.

Who can forget her "Oh yes, I will" when she decides to dance with Rhett Butler? Speaking of Rhett, Vivien's chemistry with Clark Gable is also wonderful. When they are married, they both perfectly show two people loving each other but both are too stubborn to admit their true feelings and their pride keeps them from real happiness.

But let's not forget Vivien's great chemistry with Olivia de Havilland which is also an important part of the movie. In fact, the relationship between Melanie and Scarlett may be the most interesting aspect of the whole movie and Vivien is perfect in showing her mixed feelings towards Melanie, her dislike and admiration at the same time.

Without any signs of overacting or theatrical posing, Vivien brings Scarlett to full life. Her devastating reaction to her mother's death, her burden of keeping Tara alive, her willingness to do anything to get money for the taxes - it's all unforgettable.

It is such a natural performance of a truly larger-than-life character that “Fidlee-dee-dee” seems to be the only word to describe it…I really give a damn!

So, for this most iconic performance, Vivien naturally gets

10/29/2009

Best Actress 1939: Irene Dunne in "Love Affair"

When one thinks of love that begins on a boat, the Empire State Building and a wheelchair, then mostly these thoughts come up: An Affair to Remember! Cary Grant! Deborah Kerr! Handkerchiefs!

The remake has clearly overshadowed the original from 1939 with Charles Boyer and Irene Dunne who ironically, like Deborah Kerr, is one of Oscar’s biggest losers.

In Love Affair, Irene Dunne plays Terry McKay who falls in love with Charles Boyer’s French womanizer Michele Ferrante during a boat trip. They agree to meet on the top of the Empire State Building 6 months later but tragedy prevents Terry from making the appointment.

Irene Dunne is certainly one of the bright stars of Hollywood’s golden age. She brings warmth and humor to her characters, has a lovely singing voice and can combine comedy and drama with ease.

Her talent for witty one-liners and sarcasm are very well used at the beginning of the movie when Michele and Terry first meet. As every other woman in the world, she is enchanted by this famous Frenchman but she holds her own against him. She is playful and charming, out-spoken, a bit sassy but also honest and loving. Irene always shows Terry as a woman with brain and heart. She is a complete opposite to the visible arrogance of Michele and their unlikely pairing becomes even better because of that.

Despite the thin screenplay, Irene is able to make a full-flesh human being out of Terry, shown in so many scenes like when she says Michele that she doesn’t want to be seen with him anymore or the wonderful scenes with his grandmother.

Irene gives an intelligent performance of a romantic character which is no small feat.

Despite that, I am not blown away by her which is mostly the fault of the movie. The story seems very rushed, making Terry often a hard to understand character. They meet and without any real story they are already in love, they want to wait 6 months until they have taken care of things like their other relationships which is never shown, tragedy happens and the end follows. The speed of the movie somehow affects the performances and I must say that I never really see or feel any chemistry between Dunne and Boyer. Sadly, Irene is also not able to keep her character as interesting as it was in the first few minutes of her performances. After a while, she turns into an average love interest. And even though I love Dunne’s soprano, I think that she is seriously miscast as a night club entertainer.

After her accident, Dunne gets a little more to do and she handles her dramatic scenes like the one in the hospital beautifully. Also impressive is the scene in the theatre when Michele and Terry meet again for the first time since their boat trip. Irene convincingly shows Terry as a strong, good-natured woman who is never broken by her tragic fate. She never looses her lively personality and that way Irene Dunne is able to prevent the movie from becoming too sentimental. She never turns her scenes into schmaltz but instead stays true to Terry’s personality. I also like that she never tries to get the audience’s sympathy: Terry is strong and accepted her fate but she doesn’t do it in a ‘saintly’ way that makes her look like a tragic heroine.

She also has some nice close-ups during the scene with the children who sing about “wishes”.

And her final, famous scene is also done very nicely even if she is overshadowed by Charles Boyer (who, up to that moment, was rather disappointing, mainly because there is something so cold about him as an actor that makes it impossible for him to appear as a loving person).

Overall, Irene Dunne gives a lovely, romantic and intelligent performance that gets

10/28/2009

Best Actress 1939: Bette Davis in "Dark Victory"

When you have an actress of such talent and such a long list of great performances as Bette Davis, it is hard to point out the one crowning achievement. A lot of her performances are among the all-time greats, all wonderful in their own way, but one or two of them are “more equal” than the others. They are simply superior and represent the highpoints in the career of this great actress.

Dark Victory is one of those highpoints.

As Judith Traherne, a young heiress dying of a brain tumor, Bette gives one of the most moving performances ever put on the screen.

Dark Victory is technically a typical Hollywood weepie but in the hands of Bette Davis, it becomes a deeply moving and memorable experience. Her performance is ‘essential Bette Davis’: intense, strong, dominant, a force of nature. And it works wonders for this character.

Judith is a care-free young girl, partying ‘til dawn and sleeping ‘til the afternoon. But something is beginning to worry her: bad headaches come and go and suddenly, while riding her horse, her vision becomes unclear and she falls. She tries to treat it as nothing serious, but you can see that this is only a masque for hiding her fear. Judith, that care-free young girl, is getting scared of what’s happening to her.

Finally, she agrees to see a doctor. Again, she pretends to be bored and keeps treating everything as a joke, but again, Bette is wonderful in showing that Judith is simply afraid to face reality and the possibility of a serious illness. During that visit at the doctor, her problems become more obvious: she has trouble remembering things, she can’t stand bright light, she has trouble lightning a cigarette, her right hand is not able to feel anymore. Again, Judith tries to fight against everything, saying “I’m young and strong and nothing can touch me.“

I love the scene when she is visited by three doctors in her house and is having a party at the same moment. She keeps pretending to herself until the truth is revealed: an operation on her head is necessary. Judith’s reaction? “Suppose we just don’t talk about it anymore?“

But she finally agrees to that operation, but we learn, that is was no use…the diagnosis is negative. Judith has only a few more months left, then she will suddenly go blind and die some time later.

After Judith learns the truth, she goes through the various expected emotions: anger, fear, denial until she finally accepts her fate and decides to die with dignity.

It’s obvious that this is a role any actress would kill for. And Bette gets everything out of it. She carries this story wonderfully. While this could easily have turned into sentimental banality, Bette avoids this by making the story incredibly real. We feel for Judith and care about her. We know that her fate is coming but somehow we can’t believe it.

When Bette marries Dr. Steele and moves into the country, we see her happy – really happy. It is not the same superficial happiness she used to show when she was having parties. Now, it’s real joy. She knows that she will die soon, but she has accepted it and life with her husband is everything she could ever wish for. She is now happier than she ever was.

Up to that point, Bette Davis has already delivered a real tour-de-force. She has shown a young woman confronted with the worst possible situation, she has shown her suffering, she has shown her scared. But ultimately, Judith has grown a lot in just a few months, becoming almost a new person.

But it's the final minutes of Dark Victory that really leave an unforgettable impression. First, Judith’s realization that there are no clouds in front of the sun – it’s her eyes that loose their sight. What's so great bout Bette here is that she doesn't overdo it - she doesn't try to milk the scene for dramatic effect with big emotions, instead she shows Judith's strenght with quiet gestures. And then her final moving moments with her best friend and her husband until she walks up the stairs for the last time, prepared to die.

It’s a brilliant performance by Bette Davis. She goes through every possible emotion in this movie but always stays true to the character. All of Bette’s talents are used to maximum and so she gets

10/27/2009

Best Actress 1939: Greer Garson in "Goodbye, Mr. Chips"

Greer Garson and the Academy…one of the biggest love stories of all time. She received an Oscar nomination for her movie debut and was nominated 6 times in 7 years, 5 of them even in consecutive years.

Her Oscar-nominated debut was in Goodbye, Mr. Chips, a timeless classic about a teacher’s life at the Brookfield Boarding School.

Today, Greer Garson’s performance would surely be put in the Supporting category where she would probably have a good chance to win. But back then, the difference between Leading and Supporting was not screen time but rather “star” or “no star”. Stars were always lead, everyone else was supporting. And since MGM was destined to make Greer a star, no other category could have been accepted.

Overall, Goodbye, Mr. Chips rests on the shoulders of the amazing Robert Donat. No matter what people say, he is one of the most deserving winners ever in the Best Actor category for his wonderful, warm, funny and touching portrayal of Mr. Chipping.

At the beginning of the movie, we see him as a loveable old man, respected by colleagues and pupils alike. But when he rests in front of a fire, he starts dreaming and we are told the story of his life.

His start at the school was anything else than easy. Mr. Chipping is shy and insecure. The boys at the school have an easy time, playing tricks on him and making him look a fool in front of the headmaster. When Mr. Chipping realizes that he can only react with strict discipline, he alienates the children even more. Years later, Chipping is a lonely man, disliked by the pupils and not taken seriously by most of his colleagues. When it’s his time to become house master, he is ignored.

At this time in his life, the German teacher of the school convinces Chipping to join him on a trip through Austria that will change his life forever.

While he is climbing a mountain, fog comes along, making it impossible to go down again. And then he hears the voice of a woman. He starts to climb along in the fog, trying to find her. And then he meets that woman, sitting on a rock, smiling at him.

Greer Garson gives probably one of the most charming performances ever put on the screen. She is simply irresistible in the part of Kathy Ellis. She and Robert Donat have such great chemistry from the first moment they share the screen. The only word that can describe the two is “sweet”. They are just sweet together, so adorable. He is shy, but charming and she is lovely and full of life.

Greer Garson immediately establishes Kathy as a complete opposite to Chipping. She is not shy, quite the contrary, she is out-spoken, not afraid to get close to Chipping. She and another friend are bicycling through Austria, something Chipping finds rather shocking. He is old-fashioned and lives in a world of his own while she wants the vote and enjoy life. During their short time on the top of the mountain, we can see how they both fall in love right away but they’re both too British to admit it.

But later, their paths meet again in Vienna. Again, Greer Garson is just so charming every moment she is on the screen. At the end of the trip, she kisses him quickly goodbye and who can’t love the moment when he is running along her departing train, saying “Now you have to marry me!”

They do get married and now Greer’s character becomes of great importance: she changes Chipping and his life forever. She gets him out of his shell, makes him less shy and insecure. She simply charms everyone at his school, the other teachers, the children. Everyone loves her and she makes everyone love Chipping, too. She is the one who gives him the nickname “Chips”, she is the one who gets the idea to invite some of the pupils over for tea every Sunday. She gets him to be more open and to even make jokes in class. And he finally becomes house master, just as Kathy always expected him to.

Greer shows Kathy as a woman with never ending confidence in her husband. Her lovely smile and her warm voice lighten up the screen whenever we see her. When she leaves the movie much too soon, that bright light suddenly disappears but Chips is another man now, thanks to Kathy.

In playing Kathy, Greer Garson simply focused on the most important aspect of her character: her charm. Kathy is not really a character but rather a plot device who serves the story of Mr. Chipping. The script only asks her two things: to makes us believe that she would fall in love with Chipping and to be loveable and charming. She completly succeds in these two departments but sadly she doesn’t get much else to do. She does try to give Kathy some depths but the character only exists to change the main character of the movie. That’s why a nomination in the Supporting category would probably have been wiser. Kathy has no own life, we never learn anything about her character or her inner feelings. We always stay on her surface.

So, it’s a completely loveable and winning, but also very short performance of a sadly very two-dimensional character that gets

10/24/2009

Best Actress 1939


The next year will be 1939 and the nominees were

Bette Davis in Dark Victory

Irene Dunne in Love Affair

Greta Garbo in Ninotchka

Greer Garson in Goodbye, Mr. Chips

Vivien Leigh in Gone with the Wind